Showing posts with label rubber stamping. Show all posts
Showing posts with label rubber stamping. Show all posts

Tuesday, July 22, 2014

Rubber Stamping Fun with Creative Paperclay and Gloriann Irizarry


Wow I can not believe July its almost over my dear friends and summer is at its peak.
My favorite think to do during the summer is going to the beach . I got inspired by a nice Stamp set I got from US Art Quest Inc.

Now my tip will be how to stamp a straight sheet of Creative Paperclay for you to glue on mix media projects.




Make sure when you roll the clay is not too wet.
If too wet the clay will stick to the stamp.


Place the your favorite stamp pattern on top of the soft semi dry clay and use your roller to stamp the details in the clay.



Carefully remove the stamp off. If you notice the clay sticking to the stamp it means it is too wet let it air dry a little and try again.




Once you achieve the desired shape and details let it completely dry .
Do not worry if it misshaped when it dry. 
The clay sheet will curve a little when it dry, but here is my tip to make if totally flat once more.


Find the biggest and fastest book. Yeap mine was a photoshop 6 book I haven't being able to read. 
Grab your already dry probably curved or miss shaped dry clay sheet and using a bottle mist spray lightly with water on the none stamped side of the clay and placed the FAT very fat book on top.
My book has a nice non stick cover and it helped to let the piece dry in the flat surface.



see now your clay sheet is totally flat and ready to be used on any mix media, card-making or scrap booking projects. All your need is a little glue and let your imagination fly. 


I hope you had a wonderful time and feel free to ask any question or comments bellow or email me at @bygloricom

Have a bless day and remember to always have fun while crafting!
Sincerely ,




Thursday, September 12, 2013

Mary, Mary, Quite Contrary....


I have fallen in love with Mixed Media pieces!  They allow me to use a bit of THIS and a bit of THAT accumulated over the years in my studio.  Last week, after a visit to our local Farmer's Market such a piece was born. 
 I fell in love with these flowers.  The fuchsia pink with bold orange centers screamed to come home with me.  Come home with me they did, BUT (as we all know) cut flowers only stay with us for so long :-(  Why not extend their life with a custom piece of art??  An idea began to formulate in my mind (do you hear the cogs turning??)

I went first to the Delight Airdry modeling compound to create some beautiful flowers, just opening pods, and green leafy components.  I rolled a piece of the clay through my pasta machine to flatten (for those of you without a pasta machine, 2 Popsicle sticks and a rolling pin will work just as well).  Then I used teardrop shaped Kemper cutters (2 different sizes) to start my petals. 

To shape each petal I pinched the edges between my fingers to thin and then used a needle tool to create veining down the center of each.  As each petal was complete, I placed them next to each other on my work surface and the flower began to take shape.  **Please note: pinching the petals gently together or overlapping a bit will help your flower to stay together as you build.**

After one layer of petals was completed I began with a second and then a third (note: 3rd layer used a smaller teardrop cutter), stacking layers as they were completed.  A final touch for my flower reproduction was a vintage glass button pressed into the center.  Once completed, the flower was set aside to dry (about 24hrs). 
I began work on the pod in the same way, but with a much smaller teardrop cutter.  I created the leaves first, pinching and veining just as with the flower petals.  I then rolled a ball of Delight clay about 3/4" round.  The top edges were shaped and veined with the same needle tool until I was happy with the look.  The pod was then pressed into place on the leaf ruffle and set aside to dry with the flower.
 
What to do while waiting for the flower components to dry?  Why work on the canvas, of course!  I sponge painted the canvas using 2 or 3 different green acrylic paint colors.  I used the edge of the sponge brush to add some gold veining.  Never known for letting something be so simple/plain, I knew it needed something more.  Time to pull out the Paperclay!!

I recently purchased a Delta stencil (Checkerboard Medley) and knew that would add the perfect background for the flowers.  I mixed a bit of the Creative PaperClay with some water to make a soft paste.  With the stencil placed on top of the painted canvas the paste was smeared into the open spaces.  Be patient...a light touch will lead to less frustration than a heavy hand.  Work the palette knife back and forth scraping paste into and out of the stencil.  Add more paste as areas need it.  Once all open areas are filled the stencil can be removed to reveal a raised texture.  WAY COOL!!  (**please note: the stencil cannot be replaced once removed without much smearing!**)
Set canvas aside to dry.


Flash forward 24 hrs...
...the flowers have dried and now it is time to paint!  Painting the flowers tends to be a messy process.  Normally I use Pinata inks and rubbing alcohol for this, but I wanted the flower color to be a bit more intense.  In my box of inks I found my Color Box Crafter's Pigment Ink Refill in a gorgeous color called Peony.  I mixed a little of the ink refill with rubbing alcohol and began to paint.  Areas where the color was too harsh were softened by going back over it with a bit of plain rubbing alcohol.  During this process my layers began coming apart :-(  Bummer!  No worries...as each portion was painted they were put back together before drying.  Be sure all areas are painted: top and sides especially.  The bottom will be glued down to the canvas eventually, so it really doesn't need to be painted...just a time saving thought. 
 

The process was repeated for the green leafy pods using Color Box Ink Refill in "green".  As I looked at the color, it was a bit brighter than I wanted, so I mixed a bit of Pinata Color in "Burro Brown" and added that on top of the green.  The brown seemed to soften the bold green.  A few dots of "peony" ink refill placed directly onto the pod center finished the look.

Placing the flowers on top of the canvas I waited for it to "speak" to me...Please, do not call the white coats yet :-)  The canvas asked for a few things: something along the edge, wording, some additional texture, and a few polymer clay components (you didn't think I would get through a whole project with out at least one, did you??)

Back to the studio to search....
...where I found some beautiful decorative leaf components, multiple alphabet rubber stamp sets, and a FABULOUS Mrs. Grossman's metal "Fall Vines".  The vine edging was the perfect touch both in size and color!! 
Woohoo...I placed a few leaves behind the flower and placed the green pod in the corner...Hmmmm, something not quite right.  I added a few decorative leaf accents behind the flower...getting better, but still something not quite right.  Hmmmm, I think some words are needed.  To the clay and stamps I go....

Perfect.  But still something is not quite right.  I searched through my polymer clay components and found a beautiful butterfly and a flower.  I finally realized that as much as I like the painted leaf pod, it just wasn't working the way I wanted.  Remove the pod, add the butterfly and polymer clay flower, plus some more wording...FINALLY!!! 
Use tacky glue (I use "The Ultimate" from Crafter's Pick) to affix everything to the canvas (note: Vintage glass button made need to be attached with super glue rather than tacky glue).  Let dry, the hang and ENJOY.

Materials list:
Delight Air Dry Modeling compound, Creative PaperClay modeling material, Kemper cutters, stretched canvas, acrylic paints, Color Box ink refills, rubbing alcohol, Ancient page ink pad, Mrs. Grossman's "fall vines", Delta decorative stencil,  Crafter's Pick "The Ultimate"glue, palette knife, q-tips, small mixing cups, miscellaneous components
 
 




Saturday, July 27, 2013

Hand Stamped Magnets

If it's one thing (besides Jewelry) that I collect a lot of, it's magnets. I love them, don't you?

When working on hand stamped clay projects, I find that the best method for applying color is using pigment ink pads.


See the color on this? There are layers and layers of beautiful color on here, and this is achieved by using various shades of pigment ink, rather than acrylic paint.
When you're finished, you can spray it with a bit of acrylic sealer, though I opted not to. It's so pretty just as is, don't you think?


Diana Gonzalez

Tuesday, June 25, 2013

Barbara's Tips and Techniques for June


Hey there, Creative Paperclay® fans!  Welcome back to the blog.  I am so glad you decided to stop by today.  I have a really cool technique I want to share with you.  It is a continuation of my last post, which you can view by clicking here.  As I said earlier, I love ancient artifacts, and I am really enamored with ancient Egypt.  I knew I wanted to add a label of some sort to my ancient jar, so I dug out (no pun intended) one of my Egyptian hieroglyph rubber stamps.

Supplies Used:

FolkArt acrylic paint - Seamist, Solid Bronze Metallic
Egyptian Hieroglyph rubber stamp - Judikins
Two 1/4" brown eyelets
Natural twine

I rolled out a small piece of Creative Paperclay®, and then I placed that piece on top of my rubber stamp, choosing a section I thought would be interesting.
Very important tip:  Roll your brayer or clay roller over the clay only once, using steady, even pressure.  Do not try to go back and forth.  The clay tends to move, or stretch, as you roll it, giving unclear images.  However, if you do not get a clear image, just knead the clay again, and start over.
Pick a section of images that you like, and use an oval clay cutter to cut out your label.
Simply smooth any rough edges with your fingers, or sand it after it has dried.

Insert 1/4" eyelets on both sides of your label.  Your eyelet color does not matter.  You will be painting over them.  (If your eyelets fall out, simply glue them in.)
Use an awl to remove the clay still inside the eyelets.
Allow label to dry thoroughly.  You can carefully use a heat gun to speed up the process.  Paint the label with bronze paint.  Use a scrubbing motion to get the paint down into all the crevices.  Allow to dry.
Use a dry brush technique to add highlights the with Seamist acrylic paint.
Run twine through hole on one side of eyelet, around the jar, and back through the eyelet on the opposite side.  Tie off.
Now your jar is labeled.  How fun is that?  And since I cannot read hieroglyphs, I can put anything I want to in this jar.  I really do like how this turned out.  I think the label adds just a bit more excitement to the piece.
Thanks again for joining me on my journey into Ancient Egypt.  I hope you have been motivated to make something fun that really inspires you.  Maybe your preference is Asian, or Greek, or something from the good ole' USofA.  Whatever your pleasure, Creative Paperclay® can help you make it all come true.

So until next month, have fun, and be sure to visit the Creative Paperclay® blog for more inspiration and tips from the rest of the wonderful design team.

Barbara

Saturday, May 25, 2013

Diana's May Tip

Hi there, I'm Diana Gonzalez, and here's my tip for using Creative Paperclay!
First, my project:


This is a set of rubber stamped pendants that I made.
When working with rubber stamps, paint and clay, at times you'll find that the finish is a bit dull. I did give my clay a nice coating of acrylic paint, but  I wanted to achieve a sort of "faux ceramic" look, which can be achieved by using spray acrylic coating. Be generous. Spray a generous amount, let it dry, then spray it again.
If you're worried about fumes, do this on your porch outside, or if you are an urban dweller such as I, then just open the bathroom window, and do it in there.
After the sealer is dry, you can rub some ink on it. I used a bit of Pigment ink by Clearsnap. Use whatever shade you want. And voila! You've got yourself a cool "faux ceramic" stamped pendant!

Diana