Creative Paperclay® Beaded Curtain

My dear friend, Pat Chapman, and I just wrote Mixed Media in Clay. One of the projects done in the course of writing the book was a beaded curtain out of cast objects and beads. While many of the objects were 3D resin casts, you could easily recreate a beaded curtain with Creative Paperclay® and push molds.

SUPPLIES

Creative Paperclay®
Silicone/Push molds
Acrylic Paint
Wire or string
Beads



 

 Using a skewer to make a hole to string your beads, make a bead of Creative Paperclay® and add texture using a texture plate or rubber stamp.
Wet your finger and smooth any edges.

Keep making beads. Create two objects from each press mold so you can glue them together later on. Before we do that,  let them dry and trim or sand them.

I glue the two similar object together placing a plastic coated wire in between. Because the wire is plastic, I can just wiggle it out the piece and have a hole ready for stringing.

Stained and ready to string. I might add some store bought beads or found objects for variety.

Play with clay and dream in color.

Darlene Olivia McElroy

Adding Rope Letters to Your Art

This quick and easy trick allows you to create letters of any size or numbers in your art with Creative Paperclay®. It adds dimension plus adds to your visual story.

Supplies:
Creative Paperclay®
Alphabet stamps, texture plates
Paint or gold rub
Embellishments

Roll the clay into ropes and make them into letters directly on your art. Sometimes I dampen my surface slightly for better adhesion. If you want to keep the rope look I would let them dry then glue onto your surface.

Press a texture plate into the clay. I used a texture plate with handwriting on it.

Now I let the clay dry before adding color.

 

I finished it off with a gold rub and embellishments.

 

Hope you enjoyed learning rope letters. You can't add enough ticks to your art arsenal.
— Darlene Olivia McElroy

Creative Gift Boxes with Rachel Whetzel

WHAT YOU'LL NEED to make your own gift box:

A box that you can repurpose, or a new box. Either should be made with a paper like finish.

Creative Paperclay®
Paints. I use Folk Art acrylic craft paints.

Stain. I used Valspar antiquing stain, and Ranger Ink Distress Inks (walnut)
Paint brushes
Scissors
Papers (I used an old dictionary page)
Glue. I used Elmer's School Glue for this project. 

Texture Plates, Rubber stamps, and other items for creative texturing. 

Wet the surface of your box, and start pressing clay into it.

When the top is completely covered, start pressing texture into the wet clay. I cut some punchinella, and pressed that onto the top.

To get a lot of my pieces pressed well into the top, I would turn the box top upside down and press into the counter tops.

I kept layering stamps and texture plates until I got the look I liked.

Once the top was dry, I sanded the sides of the box smooth, and glued dictionary pages around the outside. Once the glue was dry, I trimmed the excess paper.

Then I painted the top of my box! Once the paint was dry, I layered in shading by using stain (black paint would work too) and wiping the surface, leaving black in the crevices of the piece, and allowing the blue paint to show through. I used some of my Alumidust BRONZE to add a fun bit of color and shimmer on the US Art Quest stamped area, by using my finger to lightly dust the piece and rub the bronze in.

When I was all finished with my layering, I finished off the look by using Ranger Ink's Distressing Inks to darken up the edges of the box. Then I topped the whole thing off with a pretty white piece of twine.

I also played a bit with the twine placement, so that the lid could be removed without taking off the twine. Now I have a really cool, totally unique gift box to put something pretty in!!

Thanks for reading! If you'd like to keep up with me, and see more of what I'm up to, I'd also love it if you'd visit MY BLOG and Subscribe! You can also find me on FACEBOOK!

Barbara's Creative Paperclay® August Tips and Techniques

Hi everyone. Barbara here with my monthly tips and techniques to share with you. Today's tip is also a bit of a technique, and I actually made this discovery while trying to fix a boo boo. Funny, but I think a lot of ideas come from the need to fix something that did not quite work out. Reminds me of that old saying, "Necessity is the mother of invention".

 So, here is what happened. I was teaching a group of ladies how to use Creative Paperclay®, and we were using all different sorts of things, like molds, texture sheets, stamps, or our own creative imaginations. I opened a brand new package of Creative Paperclay®, which was very moist. We were rolling out bits of Paperclay® onto various texture sheets and removing the clay to air dry. Some of the texture sheets were finer than others, such as this honeycomb texture plate. Needless to say, one person got overly anxious and did not wait until the clay had time to dry out a bit before removing it from the mold. What happened next? Well, she pulled up the clay and left the design in the texture plate.

 Here is where necessity took over, in my mind. The way I saw it, I had two choices: 1) take the texture plate and a stiff brush to the sink and, under running water, scrub away the clay; or 2) roll another piece of clay over the same area and see if it will stick to the clay already "stuck" in the texture plate. I chose to try number 2. Because the clay was so moist, it worked. (If the clay was a bit more dried out, then I would have added, or spritzed, a bit of water between the two layers to get the same effect. Remember, water is like glue to Creative Paperclay®.)  Well, much to my surprise, it worked!!!

However, I made yet another discovery during this process. As I said, I left the clay to dry in the mold and, where I had not covered the "stuck" clay, some of the open design from the texture plate pulled off, too. Here is the result, shown in a couple of close-ups.  I was so amazed to see that even the open parts of the clay came up, too.

 Now, guess what I want to do next? I want to see if I can get an open honeycomb design by spreading a thin layer even with the surface of the texture plate. After allowing it to dry thoroughly on the plate, I want to see if I can remove it without breaking it into a million pieces.  You can see in the photo below that it is thinner in some spots than in others, but you can see the texture of the plate coming through.  I knew it was not going to be completely open, but it is all about experimenting.

Oh my goodness!  It worked again.  You can see in the photo below where I was able to get more open design area from a much thinner application.  And much to my surprise, it is very durable, and even more exciting, it is extremely flexible, unlike my piece above, where I spread it about 1/4" thick.  After all, it is paper in clay form.  How cool is that?

Well, you can imagine the ideas running through my head with my new discovery.  I know, some of you more experienced Paperclay® artists may already know this, but, just in case, I had to pass it on.  I am so excited to share this with anyone out there who does not know this.  I can see so many possibilities and cannot wait to see what else I can discover about this wonderful product.

So, please stay tuned to see what I have in mind for all these honeycomb pieces.  It should "bee" a real treat.  In the meantime, I hope you will visit the Creative Paperclay® online store and blog for products, updates, and more inspiration from the rest of the Design Team.  I also hope you will take a moment to visit me at my blog at Black Hole Art Studio.

Thanks for stopping by, and have a wonderful end of Summer!

Barbara Rankin
Creative Paperclay® Design Team Member